“……一方面为传统资产阶级艺术的崩溃和先锋派的胜利而弹冠相庆,但同时又承认现代主义自身的内在冲动在面对大众化之下已经耗竭,先锋派已经寿终正寝;一方面驱动世俗化,但同进又对世界的祛魅忧心忡忡。”(丹尼尔·贝尔) 1、可触、可视的物质构成“物”——雕塑,这不仅仅是一个词语,更是由无数反映真实态度的形态、形式而组成的当代艺术中的“物”,既垂手可得又望尘莫及。当拒绝与批判成为一种信念与斗志,苦心竭虑地提问, “... on the one hand, they celebrate the collapse of the traditional bourgeois art and the vanguard of avant-garde, but at the same time recognize that the internal impulse of modernism itself has been exhausted in the face of popularization and that the avant-garde has come to an end; on the one hand it drives secularization, But with the progress and the disenchantment of the world are worried. ”(Daniel Bell) 1, touchable, visual material constitutes“ thing ”- sculpture, this is not just a word, but also by numerous forms to reflect the true attitude , Form and composition of contemporary art in the “thing”, both handy and unpredictable. When refusal and criticism become a belief and fighting spirit, painstakingly questioning,