20世纪90年代以来中国电影批评界的重要成果不仅表现为对西方电影理论介绍和批评的实践,还表现为“华语电影”概念的提出、阐释和研究。把两岸三地的电影艺术作为整体文化形态来把握,实际上是华语文学整体观理念的一种延续。电影研究学者意识到“把华语电影作为一个整体加以比较研究和探讨总结,既有利于从客观上把握华语电影的审美特点和发展趋向,又有利于 The important achievements of Chinese film critics since the 1990s are not only reflected in the practice of introducing and criticizing western film theories, but also presented, interpreted and researched on the concept of ”Chinese movie“. To grasp the cinema art of the three places across the Taiwan Strait as the overall cultural form is actually a continuation of the concept of holistic view of Chinese literature. Film researchers have realized that ”comparing Chinese movies as a whole to make a comparative study and discussion is not only conducive to objectively grasping the aesthetic characteristics and development trend of Chinese films, but also conducive to