大而观之,太康之花卉与人物画,皆以印法为先意,留朱布白,视丈尺为方寸,故画面疏处可走马,密处不透风,此得印法之妙也;而细而研之,则其花卉人物、山水,皆以篆法、碑法运笔,长笔流畅而不羸弱,短笔刚健而不臃肿,点划随意而不轻飘;花卉得老莲、昌石、白石之法,人物得金农三昧,山水则徘徊于半千、八大与黄宾虹之间,积点为线,积线为网,运笔如鞭,浓 Large and the concept of Taikang flowers and figure painting, all by the imprint of law as the preconception, leaving Zhu cloth white, as Zhang feet inch, so sparse picture can be taken away from the horse, the dense airtight, which have the magic of India ; And thin and research, then its flowers and figures, landscapes, are based on seal law, monument law Yun Pen, long pen smooth and not weak, short pen healthy but not bloated, point and random; Stone, Whitehead of the law, the figure was gold Samadhi, landscape is hovering in half a thousand, between the eight and Huang Binhong, product points for the line, product line for the net, such as pen whip, concentrated