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对于日本青花究竟是源于朝鲜半岛的李氏王朝还是源于华夏九州的朱明帝国,尽管日本瓷界大多倾向于前者,但是,早在昭和六年(1932)7月5日大阪朝日新闻就登载过一篇由日本“祥瑞”研究者石割松太郎撰写的专题文章,以详实的论据指出,日本青花瓷的传承谱系并非以李参平为鼻祖的朝鲜系,而应该是由日本人伊藤五郎太夫从中国景德镇传承过来的。石割松太郎(1881—1936),大正—昭和前期日本文乐研究家、戏剧评论家。大阪府堺市柳町人,毕业于早稻田大学文学部,明治三十九年(1907)在堺屋创办石割书店,后进入新闻界,历任日本新闻、都新闻、帝国新闻、大
Whether Japan’s blue-and-white flower was originated from the Lee dynasty in Korea or the Zhu Ming Empire from Kyushu in Kyushu, although most Japanese porcelain circles preferred the former, as early as the Showa 6 years (1932), July 5, Osaka Asahi Shimbun Published a feature article by Japan’s “auspicious” researcher Shitai Matsu Taro wrote, with detailed arguments that the Japanese blue and white porcelain inheritance lineage is not the origin of the North Korea Li Piping as the originator, but should be from the Japanese Ita Gotoro too China Jingdezhen handed down. Stone cut Matsutaro (1881-1936), Taisho - Showa pre-Japanese Bunraku researcher, drama critic. Yanagi, Osaka Prefecture, graduated from the Literature Department of Waseda University. In the 1939 Meiji era (1907), he founded the stone cutting bookstore in Tamaya and entered the press. He served as a member of Japan’s News, Metropolitan News, Imperial News,