万物都有形有色,大象却无影无踪。“形象”与“心象”近在咫尺,却彼此疏离,二者的存在,给艺术家的创作留下许多探寻的空间。我在全神贯注于人物画创作之余,时常也会暂且把目光移向风景画创作,这是一方面,会惊奇于自然界的一草一木、创造物的一砖一瓦,潜藏了许多超乎你想象的信息,一旦关注了,能激发创作者灵感,让观赏者睹物寄情;另一方面,当心灵与景观对话时,想象空间在不经意间得到了拓展,自由的灵性探秘在顾盼间完成 All things are tangible, elephants have no trace. “Image ” and “heart image ” in close proximity, but alienated from each other, the existence of the two, leaving many space for exploration of the artist’s creation. While concentrating on the creation of figure painting, I often turn my attention to the creation of landscape painting for a while. I am amazed by the natural vegetation and the uniqueness of my creation. On the other hand, when the mind and the landscape are in dialogue, the imagination is expanded inadvertently, and the free spiritual exploration is completed in the hope that the imagination will be stimulated.