隐逸文化在中国根深蒂固,从老庄开始就有御风而行、退隐山林的思想,而纵观我国古代几千年的文明史,文人志士们一直以隐为贵、以隐为高,带月荷锄归的陶渊明、梅妻鹤子的林和靖都是画家们标榜的对象。隐逸思想能够在古代绘画中体现,这也是由古代绘画所独具的水墨特色而决定的,这种绘画方式和材料也便于表达高逸的主题和风格。可以说,隐逸思想的影响使古代绘画形成了一个重要门类,研究隐逸思想对古代绘画有何影响以及如何影响的问题至关重 Hermit culture has been deeply rooted in China. From the beginning of Lao Zhuang, there was a tendency to retire from the mountains and forests. Looking at the history of civilization in ancient China for thousands of years, literati and lofty ideals have always regarded implicit as expensive, Dutch hoe owned Tao Yuanming, plum wife He Lin and Jing are painters advertised object. Hermit thoughts can be reflected in ancient paintings, which are also determined by the unique ink and wash features of ancient paintings. These paintings and materials are also convenient for expressing the theme and style of Gao Yi. It can be said that the influence of hermit thought has made ancient painting form an important category. It is very important to study the influence of hermitage on ancient painting and how it affects it