在手风琴演奏技巧训练中,要求身体各部位放松是早就被手风琴演奏者和音乐理论工作者所认可的。如果为了某种演奏技巧而要求身体的某些部位“紧张”,则似乎不能被人接受。但是,在现代的手风琴演奏技巧中,确实存在着单纯靠放松解决不了的问题,像右手常出现的八度及和弦的连续快速弹奏,左手连续快速风箱震音(抖风箱),都不是在放松的基础上完成的。所以说,在手风琴演奏技巧训练中,只强调放松而没有 In accordion playing skills training, requiring relaxation of body parts has long been recognized by accordionists and music theorists. It seems unacceptable if certain areas of the body are “stressed” for some kind of playing skill. However, in contemporary accordion playing skills, there is indeed a problem that can not be solved by relaxation alone, such as continuous rapid play of octaves and chords often appearing in the right hand, continuous rapid bellows vibrations of the left hand (bellows) Relax on the basis of completed. So, in the accordion playing skill training, only emphasis on relaxation but not