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20世纪80年代,新时期文学艺术在传播与接受上发生了很大的变化,当时的小说被“第五代”导演们一一搬上荧幕,就像给作品插上了飞翔的翅膀,文学作品被大众广为熟知。以陈凯歌、张艺谋为代表的第五代导演的崛起,使文学与电影的联姻和互动达到了前所未有的高峰。本文通过从第四代电影人的理论启蒙,第五代导演与新时期作家的共同表达,适于电影美学表达的叙事结构,小说中蕴含的影像造型潜力,电影商业化的崛起五个方面对文学作品的电影化道路的经行分析。
In the 1980s, great changes took place in the communication and reception of literature and art in the new era. The novels of that time were put on the screen by the directors of the “Fifth Generation” one by one, just as the works were inserted into the flying Wings, literary works are widely known to the public. The rise of the fifth generation of directors, represented by Chen Kaige and Zhang Yimou, has brought the marriage and interaction between literature and film to an unprecedented peak. In this paper, from the enlightenment of the fourth generation filmmakers, the fifth generation of directors and the writers in the new era, the narrative structure suitable for the expression of film aesthetics, the potential of image modeling contained in the novel, and the rise of the commercialization of the film The Analysis of the Filmmaking Path of Literary Works.