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华语电影中武侠题材是不可回避的话题,而香港导演徐克更是不能不提及的代表人物,他以其犀利神怪的剧本勾勒出一个个光怪陆离的江湖侠客故事,加之徐克对电影空间的独特认知与运用,形成强烈的个人风格,成为香港电影新浪超的代表性人物。电影创作者在银幕世界中构建和呈现出来的艺术空间,便是电影叙事空间造型的结果。徐克电影以其独特的空间叙事、怪力乱神的电影叙事、迷惘惶惑的爱恨情仇在香港影坛乃至时间影坛占据重要地位。本文拟从空间与叙事的关系,探讨徐克电影空间与叙事的关系。
Chinese film martial arts theme is an unavoidable topic, and Hong Kong director Tsui Hark is a representative who can not fail to mention, with his sharp and blatant script sketches a bizarre rivers and lakes knight story, combined with Tsui Hark on the movie space Unique cognition and use, forming a strong personal style, a Hong Kong movie Sina super representative figure. The art space created and presented by film creators in the screen world is the result of the spatial modeling of the film narrative. Tsui Hark films occupy an important position in Hong Kong cinema and even time cinema because of their unique space narration, strange movie narrative, confused love and hate. This article intends to explore the relationship between Tsui Hark’s movie space and narrative from the relationship between space and narration.