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本文以阿来的《尘埃落定》、王旭烽的《茶人三部曲》(1、2)、徐贵祥的《历史的天空》、贾平凹的《秦腔》、迟子建的《额尔古纳河右岸》、周大新的《湖光山色》等乡土小说为研究对象,分析新世纪以来,作家的现代与传统观念的纠结与互动,其乡土小说中显示出的对传统文化的挽歌和赞歌,以及对现代文明的批判和拥抱的含混复杂的表述。总结了形成这种状态的原因:首先是中国现代性的外发方式与随之产生的二元思维模式;其次是发展中的现代性的负面影响;再次是作家自身的价值文化取向差异。
In this paper, the “dust settles” in Ah Lai, the Trilogy of Tea Man (1,2) by Wang Xufeng, the “Sky of History” by Xu Guixiang, the “Shaanxi Opera” by Jia Pingwa, On the right bank, Zhou Daxin’s “Huguangshanse” and other native novels as the research object, analyzes the tangle and interaction between the writer’s modernity and the traditional concept in the new century, the elegies and hymns to the traditional culture in his native novels, The complicated and complicated expressions of criticism and embrace. Summarizes the reasons for the formation of this state: firstly, the out-going mode of Chinese modernity and the consequent dualistic mode of thinking; secondly, the negative influence of modernity in development; thirdly, the difference of writer’s own cultural orientation.