“格法”一词,在古画论中经常提到。现代有人阐释“格法”的含义,多含糊其词。如杨大年先生所著《中国历代画论采英》,专辟了《论绘画的格法》一章,杨先生在该章“说明”中指出:“画论中的‘六法’、‘三病’和‘六要六长’诸篇,就是古代最主要的绘画格法。”我以为把“六法”“三病”和“六要六长”解释为格法未免太笼统了,这样宽泛多义的解释对于格法来说是不准确的。其实,根据我的研究分析,格法就是中国画讲究用笔,用墨和章法的格律 The term “lattice method” is often mentioned in ancient painting theory. There are many people in modern interpretation of the meaning of “lattice method”, more vague. For example, Mr. Yang Dainian’s “Chinese ancient painting theory” adopted the chapter of “the method of painting the lattice of the painting.” In his “Explanation” of the chapter, Mr. Yang pointed out: “The six methods in the theory of painting, ’And’ Six Musts and Six Legs’ are the most important forms of ancient painting in ancient China. ”I think it is too general to interpret the“ six diseases, ”“ three diseases ”and" Meaningful interpretation is inaccurate to Gefah. In fact, according to my research and analysis, GeFa is the most famous Chinese painting