随着“第五代导演”的问世,陈凯耿、田壮壮、张军钊、吴子牛、黄建新,还有张艺谋(正在执导《九九青杀口》)等一串名字,已经逐渐地为广大的电影观众熟悉起来。作为“第五代导演”的同龄人(也算是一位电影工作者),我自以为在接受新事物、新观念上与他们有着同频率的共振;在对新事物新观念的追求上有着同样强烈的欲望;在对旧习惯、旧事物、旧观念的否定和扬弃上有着同样的魄力。所以,我自以为对他们的追求和探索是能够理解的。但是,理解并不等於认同,更不等於赞同。新时期以来,电影出现过“伤痕热”,“爱情热”,接着是武打热,也很快就冷却了。随着改革开放,各种世界思潮的涌入,中国的意识形态发生了前所未有的变化。对于电影而言,人们很快地发现,我们的电 With the advent of “The Fifth Generation Directors,” a series of names such as Chen Kaigeng, Tian Zhuangzhuang, Zhang Junzhao, Wu Zi Niu, Huang Jianxin and Zhang Yimou (who are currently in charge of “K9K”) have gradually become acquainted with moviegoers . As a peer of “the fifth generation director” (also be a movie worker), I thought I had the same frequency of resonance with them as accepting new things and new ideas. In the pursuit of new ideas and new concepts, I had the same Strong desires; the same courage in the negation and abandonment of old habits, old things and old ideas. Therefore, I think they can pursue and explore is understandable. However, understanding does not mean identity, more than agree. Since the new era, there have been “scars hot” and “love hot” in the film, followed by martial arts fever, and soon cooled. With the influx of reform and opening up and various world trends of thought, the ideology of China has undergone unprecedented changes. For movies, people quickly discovered that our electricity