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生活在今天的中国社会,看今天中国的油画,常会以一种跳跃式的心态去感受当今中国多种风格流派的油画语言。我们看到越来越多的躁动不安、反叛、夸张、甚至歇斯底里的画面,来表现事物的单纯表象和简单的激情或颓废的情调。而有一些则一味学习国外的新表现:同样的题材、同样的形式、同样的表现手法,却试图表达一个中国人的切身感受。再有一些是极力要承担起弘扬中国民族文化的重任,因而不顾形式、材质是否与所要表现的内质相符,牵强地要在油画这种西方文
Living in today’s Chinese society, watching today’s Chinese painting, often with a leap of mind to feel today’s China a variety of genres of oil painting language. We see more and more restlessness, rebellion, exaggeration, and even hysteria to show the simple appearance of things and the simple passion or decadent mood. While others blindly learn the new performance abroad: the same subject matter, the same form, the same expression technique, but trying to express the personal feeling of a Chinese person. Some are trying hard to carry forward the important task of carrying forward Chinese national culture. Therefore, regardless of the form and the material conform to the inner qualities to be represented,