(上接2003年第12期) (6)越指(交错指)换把 练习要领:先行指离开指板先滑到媒介音(新把位),然后再用另一个手指(也要先离开弦)按出新把位所需要演奏的音符。总而言之,两个手指都要松。(P.87-88) 这种换把用途最广,但凡一切要换把的音阶及音阶式的乐句都要用。如贝多芬的《春 (Continued on the 12th of 2003) (6) more means (interlacing means) for the practice essentials: first refers to the fingerboard first slide to the media tone (new position), and then use another finger (also have to leave Chord) Press the note you want to play for the new position. In short, both fingers have to loose. (P.87-88) This is the most widely used, but everything should be replaced by the scale and scale phrases to be used. Such as Beethoven’s “spring.”