《芥子园画谱》中云:“论画……或贵有法,或贵无法。无法非也,终于有法更非也。惟先矩度森严,而后超神尽变。有法之极,归于无法……”艺术是相通的,盆景艺术同画论一样,必先有法,然后归于无法。悬崖式盆景起源于万丈悬崖上的倒挂松,它悬根露爪,经狂风吹舞,暴雨冲刷,总是紧紧地咬定悬崖,给人一种坚强不屈、力拍云天的感受。像贺淦荪大师的《雷霆万钧》,潘仲连大师的《窥谷》就有此感。因此,悬崖式盆景作为一种典型的动势盆景,必须强调有“自然的神韵,活泼的节奏,飞扬的动势,写意的效果。”其造型要领是要跌宕有势,植株主干向下悬挂,悬根露爪,紧紧咬定盆沿,临危不惧,树干伸驰要流畅,比例自然,曲中顿挫分明,有节奏感。树尾要有生气,枝片部位适当,争让适宜,疏密有致。所以其造型步骤如下:第一步:要将树坯进行斜栽或卧栽,这样可避免干基弯曲不协调的毛病。整形要及时进行,待主干长粗后就很难达到树形设计的要求了。第二步:用铁丝或棕丝蟠扎,主干硬度太大可用剖干法(即用锋利小刀在粗干需要弯曲的部位竖向切一 “Mustard Park picture book” in the cloud: “On the painting ... ... or you have the law, or expensive not lawless, and finally law more than non-However, first and foremost, and then supernatural change. , Attributed to ... ... ”art is the same, bonsai art, like painting theory, must first have the law, and then attributed. Cliff-style bonsai originated in the lofty cliff hanging upside down, it hanging roots and claws, the wind blowing, storm erosion, always clinging to cliffs, giving a strong and unyielding, pat sky feeling. Like the “Thunderbolt” Master He Gan-sun, Master Pan Zhonglian’s “glimpse of the valley” have this feeling. Therefore, cliff-type bonsai as a typical dynamic bonsai, must emphasize “natural charm, lively rhythm, flying momentum, freehand effect. ” The modeling method is to ups and downs, the main trunk to Under the hanging, hanging roots and claws, closely edge basin edge, dying, trunk stretch should be smooth, the proportion of natural, song in frustration, a sense of rhythm. End of the tree to be angry, the appropriate parts of the branches, for contention suitable, sparsely populated. So its modeling steps are as follows: The first step: to slash the tree planted or lying, so as to avoid inconsistent dry-based bending problems. Shaping should be carried out in time, it is difficult to achieve the requirements of the tree design after the main stem is rough. The second step: with wire or brown wire Piping, the trunk is too dry can be used to cut-dry method (that is, sharp knife in the need to bend the vertical cutting a