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东曼伟画画从上世纪八十年代起步,到现在也有些年头了。1996年我曾为他的油画《秋天的白桦林》配诗:“秋天的白桦忘却了衰老/舒展诱人的枝柯/奏弹出黄金般的音质/大自然变幻出/最可忘忧之乐/最可依赖之乐”。东曼伟油画中充盈的无处不在的诗情,灵动迴旋的乐感音符,给我留下了深刻印象。我欣赏他绘画时的随心所欲、童趣真纯的那种状态,和无所羁绊、天机自然的那种境界,他不为传统的技巧所困囿,抱有一种“人生
Eastman painting started from the eighties of last century, up to now also some years. In 1996, I wrote a poem for his oil painting ”Autumn Birch Forest:“ Autumn birch has forgotten the aging / stretching seductive branches / playing the gold-like sound quality / nature change out / the most regrettable Music / the most dependent on the music. ” The ubiquitous poetic and vivid maneuver notes in Dong Man-wei’s paintings left a deep impression on me. I admire his freehand brushwork, the innocent childlike innocence, and the unprotected, natural state of nature, he is not trapped in traditional skills, has a "life