孟子提出“以意送志”的说访原则，后人对其理解不一。本文认为：“意”应理解为作品之意，与“文、辞、志”同列于作品本身系统之中，而对待“意”的完整确切的把握则是正确道得诗“志”的唯一管钥。这一原则的提出是在文学阐释的任务发生变化的情况下，对传统的“断章取义”的说持方法进行的矫正。 Mencius put forward the principle of “visiting with sincerity,” and the descendants understood it differently. This paper argues that “meaning” should be understood as the meaning of the works, and “writing, rhetoric, and chih,” in the system of works itself, while the complete and exact grasp of “meaning” is the only correct “poem” Key. This principle is put forward to correct the traditional “out of context” persuasion method when the mission of literary interpretation changes.