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中国画即为水墨画,水为魂,墨为色,以法书的点线用笔、抽象的结构变化、五千年的文化底蕴,来表达画者对万象的领悟。《艺术沙龙》:怎样理解中国画的传承与创新,关于时代性,有什么看法?刘伽郡:中国画即为水墨画,水为魂,墨为色,以法书的点线用笔、抽象的结构变化、五千年的文化底蕴,来表达画者对万象的领悟。自唐宋以来,传承与创新从未分离,笔墨自古跟随时代。《艺术沙龙》:对未来一段时期创作有何打算?刘伽郡:近来发现自己有点眼花,配了眼镜,想在更花之前,创作些精致的小作品。《艺术沙龙》:你如何评价“为艺术家在杂志上办展览”的期刊立意?它是否有存在的意义?
Chinese painting is ink painting, water is the soul, ink is color, with the point line of the law with a pen, abstract structural changes, five thousand years of cultural heritage, to express the artist’s understanding of Vientiane. “Art Salon”: How to understand the inheritance and innovation of Chinese painting, what is the view on the age? Liu Jiajun: Chinese painting is ink painting, water is soul, ink is color, Five thousand years of cultural heritage, to express the artist’s understanding of Vientiane. Since Tang and Song dynasties, inheritance and innovation have never separated, and ink and brush have been following the times since ancient times. “Art Salon”: What plans for future period of creation? Liu Jiajun: Recently I found myself a little dizzy, with glasses, want to spend more before creating some exquisite works. Art Salon: How do you rate the journal’s intentions of running an exhibition for artists in a magazine? Does it exist?