歌仔戏是中国几百个地方剧种中唯一个横跨海峡两岸,扎根于闽南与台湾的地方剧种。由于它发展环境的特殊性,走过曲折的道路;在台湾遭受到日本军国主义殖民化政策的“皇民化”改造,抗日战争时期,在大陆闽南,又因当局政府愚昧的文化政策导向,把它视为传自台湾的亡国戏而加以“禁演”。“禁演”期间,许多戏班被迫解散,无数演员流离四散,歌仔戏的生存也因此发生了严重的危机。《邵江海》一剧所要表现和描写的正是在这个特定的历史背景中,以邵江海为首的歌仔戏前辈艺人在逆境中求生存,从闽南民间丰 Taiwanese opera is the only local operas in the hundreds of local operas in China that cross the Taiwan Strait and are rooted in southern Fujian and Taiwan. Because of the peculiarities of its development environment, it has gone through twists and turns. When Taiwan was subjected to the “imperialization” of Japan’s colonialization of militarism, during the Anti-Japanese War, in the southern part of mainland China, because of the government’s foolish cultural policy, Treat it as a “forbidden speech” when it is transmitted from the death penalty drama in Taiwan. During the banning of performances, many theatrical troupes were forced to dissolve and countless performers were dispersed. As a result, there was a serious crisis in the survival of the opera. It is in this particular historical background that “Shao Jianghai” a drama needs to be represented and described. In the adventurous environment, the predecessors of Taiwanese opera artists headed by the Shao River lead their lives in the face of adversity.