随着后现代主义文化思潮全面而持续的侵入,中国当代艺术发生了精神性的变革和内在位移,并且在这种演化的错置中,显现出主动的迎和。在如此复杂的局势下,再去探讨后现代的合理程度及生存可能,已变得毫无意义。因此,面对着后现代主义的作用潮向,特别是在水墨样式中的潜在作用,无疑已成为我们本文探讨的文化前提。 或许,再也没有比文化的存在形式和作用方式更为虚幻与隐形了,或者说它本身就是一种性能上的衡量指标。但同时文化的作用又是最为有效的。它能够从最隐秘的行为方式上体现出来,又可以牵动更细腻的感觉系统。因此,把握文化的动势等于把握了艺术的内在的逻辑。 当代水墨艺术的发展脉络看起来似乎是简明而清晰的,但却有着历史的滞涩与厚重,在中国绘画的无尽源流之上,安居着一个又一个栖息灵魂的精神家园,似乎每一步的前行,都是踏上回归的途径,这同时因为在中国绘画史的紧要转折处,总是有一股回溯的力量,召唤着精神的方位踏在沉淀的文化地层上,或者是立足于玄虚的臆想的空间之中。 但是,在这看似有序的模范规程里,实际上布满了狡黠的随意。针对艺术史的内在逻辑而言,这种随意而 With the comprehensive and continuous invasion of the postmodernist cultural thoughts, spiritual changes and internal displacements have taken place in Chinese contemporary art. In this mismatch of evolution, active greetings have emerged. In such a complicated situation, it has become pointless to explore the reasonableness of postmodernity and the possibility of survival. Therefore, in the face of the tidal influence of postmodernism, especially in the ink style, it undoubtedly has become the cultural premise of our study. Perhaps, no more than illusion and invisibility of cultural existence and mode of action, or itself is a measure of performance. But at the same time the role of culture is the most effective. It manifests itself in the most intimate ways of acting and affects the more delicate sensory system. Therefore, grasping the trend of culture equals grasping the inherent logic of art. The development of contemporary ink art seems to be concise and clear, but it has the history of astringent and heavy, in the endless stream of Chinese painting, living one after another spirit of habitat soul home, it seems that every step of the previous This is because at the critical turning point in the history of Chinese painting, there is always a retrospective force that calls for the spiritual orientation on the precipitated cultural strata or the imaginary imaginary Among the space. However, in this seemingly orderly model rules, actually covered with a sly random. In terms of the inherent logic of art history, this arbitrary