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原来最有借鉴价值的恰恰是电视连续剧的“反面经验”。《苦难的历程》播映之后人们可以明显地看出,无论是剧作、画面还是演员的表演都恰恰应该存在于一部多集电视剧之中,而不是存在于被分割成多少完整的片段的长电视剧之中。需要一条牢固的线索来保持观众的注意力和兴趣,使人感到作者的创作逻辑是连贯的、无懈可击的。即便在这里,只有一本书的中心情节也是完全不够的,还必须让这些中心情节获得令人信服的再现。有时候不得不重新寻找连接线并且把它从作品的潜台词之中“抽
The original most valuable reference is precisely the TV series “negative experience.” It is clear from the “journey to misery” that it is obvious to see that no matter whether it is a play, a screen or an actress’s performance, it should happen to exist in a multi-episode TV series instead of being divided into many complete segments TV series. Need a solid clue to keep the audience’s attention and interest, people feel the author’s creative logic is coherent, impeccable. Even here, the centerline of one book is simply not enough, and the central plot must be convincingly reproduced. Sometimes I have to rediscover the connection and draw it from the subtext of my work