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余自少时习书,初入唐楷,尚不知古墨玄机,也不晓今人如何承继,直觉中,只求中规中矩,取其形似而已。然而渐窥堂奥,愈觉笔墨契合,以形写神,以意传神,所谓书之妙道,神采为上,形质次之者矣。身为女性,习书弘道,不求闻达于世,只追前贤遗风,这一点与男性书道中人应该无异。本人弄墨习文,只是力求传扬出古人眼中的“风神”。早年翻看南宋·姜夔的《续书谱》,乃知风神者,一须人品高,二须师法古,三须笔纸佳,四须险劲,五须高明,六须润泽,七须向
When I was young, I started to study in the Tang Dynasty. When I first entered Tang Kai, I still did not know how to inherit the ancient texts. I did not know how to inherit people. In my intuition, I only wanted to be law-abiding and just take shape. However, gradually get to know the Austrian, more feel the ink fit, in order to describe the God, intended to convey the spirit of the so-called Book of the Road, the appearance of God, the quality of those who carry on. As a woman, learning a book Hong Road, do not seek the world, only chasing predecessors legacy, which men and men should be no different. I draw ink Xiwen, just strive to preach the ancients eyes “Fengshen ”. In the early years, he turned to the “continued book spectrum” of the Southern Song Dynasty and Jiang Nai. Seven must be to