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中央音乐学院新音乐团(又名“蚀”乐团)在叶小钢的带领下近日赴香港演出,在那里受到热烈欢迎。10月份的香港《指南》杂志以显著的位置刊登了乐团将赴港的消息,新音乐团的两场演出成为10月份引人注目的文化活动之一。演出在香港大会堂剧院举行,听众的热情掌声几乎使台上的演奏家不知所措(也暴露一个演奏家的经验问题),也使整个代表团感慨万分。香港的现代音乐搞了几十年,确实培养了一批忠实听众,他们对挂羊头卖狗肉的现代艺术绝对嗤之以鼻,但对真诚的探索则报以热烈的掌声。北京的赵立是唯一演出两首作品的青年作曲家,他的《心斋》和《五月菩提》由于风格差异太大引起专家们的很大好奇,纷纷打听他是怎么学的。梁亮的《北极光》几乎得到了众口一词的称赞,普通听众能感到出色的意境,专家们则对他的“音极选择的控制”表示赞赏。和北京一样,邹航的《哀,捱?唉!爱》和加演的作品现场“火爆”,人们均对大陆现在大胆探索所得到的支持表示兴奋。也有听众对郝维亚的《释意》有兴趣,因为他在十分古典的形式里演释出一种新的乐意。与此同时,香港的评论界对乐团高超的技巧和卓越的表现力大加称赞,特别当演出香港作曲家罗咏晖的两首“巨难”的重奏作品时,掌声雷动,因为全体听众都感到了乐团的非凡实力。
The new music group of the Central Conservatory of Music (aka “The Era”), led by Ye Xiaogang, performed in Hong Kong recently and was warmly welcomed there. In October, Hong Kong’s Guide magazine published a prominent position in which the orchestra will go to Hong Kong. The two performances of the New Orchestra became one of the most eye-catching cultural events in October. The performance was held at the Hong Kong City Hall Theater, and the enthusiastic applause of the audience almost overwhelmed the performer on the stage, exposing the experience of a performer as well as the entire delegation. Modern music in Hong Kong has been practicing for decades. It has indeed produced a group of loyal listeners who absolutely scoff at the modern art of hanging out dog meat but warmly applaud the sincere exploration. ZHAO is the only young composer who performed two works in Beijing. His “Heart Zhai” and “May Bodhi” attracted great curiosity from experts due to the large differences in style. Liang Liang’s “Northern Lights” won almost the same word of praise, the general audience can feel good mood, experts are on his “choice of tone control,” said he appreciated. Like Beijing, Zou Hang’s “grieve, alas, love” and acting works are “hot” and people are all excited about the support China now boldly explores. There are also listeners interested in Hao Weiya’s “interpretation” because he has released a new kind of pleasure in a very classical form. In the meantime, Hong Kong critics praised the orchestra’s superb technique and outstanding expressiveness. In particular, when performing two solo works by Hong Kong composer Lo Wing-fai, their applause was thunderous as all the audience felt Orchestra’s extraordinary strength.