戏曲艺术有鲜明的歌舞特点。歌与舞都是塑造人物形象的主要手段,二者不可偏于一端。我们在编写戏曲剧本的时候,往往是重于歌,轻于舞。因为戏曲需要唱,所以肯花气力写好唱词。至于舞蹈,则视为演员的自行创造,似乎与编剧没有多大关系。其实不然。演员的自行创造并非随心所欲,而是要以剧本的规定情境为基础。编剧不给演员提供自行创造的条件,演员也就无法自行创造。这就难免出现话剧加唱的问题。 Opera art has distinct singing and dancing characteristics. Song and dance are the main means of shaping the character image, both can not be biased towards one end. When we were writing drama scripts, we tended to emphasize song, lighter than dance. Because the opera needs to sing, so willing to write the lyrics. As for dance, it is considered as an actress’s own creation, which seems to have little to do with screenwriter. actually not. Performers create their own is not arbitrary, but to the script based on the provisions of the situation. Writers do not give the actor to create their own conditions, the actors can not create their own. This inevitable drama add sing problem.