色彩作为构成电影视觉语言的要素,不仅是重要的造型手段,而且还影响着影片的风格形态并且会暗示影片的结局。在电影中,色彩无处不在,无论是整体的环境,还是人物的衣着,甚至于人物的一个配饰。色彩往往通过对意境与氛围的表现与营造从而与人物的心境相呼应。日本艺术家蜷川实花,她将女性的精神与对色彩的偏爱完美混合,本文以《狼狈》为例展现出蜷川花实对影像及色彩的超高敏锐度,延伸出镜头下那华丽诡谲的视觉感受。 Color, as an element that constitutes the visual language of cinema, is not only an important modeling method, but also affects the style of the film and will imply the outcome of the film. In the movie, color is everywhere, whether it is the overall environment, or the character’s clothing, or even a character accessories. Color often through the performance and creation of mood and atmosphere and echoes with the mood of the characters. Japanese artist Ninagawa real flowers, she will be the spirit of women and color preferences of the perfect blend of this article to “embarrassed” as an example of Ninagawa Echizen image and color of the ultra-high acuity, extending the lens out of the gorgeous and delicate vision Feel