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本文评论当代“女性散文”,认为:斯妤的散文以一种理性的精神思考来表现现代意义上的人的存在意识,揭示对人生和命运的观照,描画思索者心灵走向成熟的轨迹;在表现手法上,她的象征和变形极具“现代派”的风格。叶梦的散文具有超出“传统女性观念”的独特社会意义和文化价值,是“先锋”意识的代表作;在写法上,她将诗的技巧引入散文,侧重于意象的描绘和隐喻义的表露。唐敏的散文基本取材于自然之美、日常之味和少年之趣,充满女性的灵敏锐利及个人化、情感化的特点,是典型的“女孩子”文学;在写法上,她文字轻灵、鲜活而富有禅意,表现出强烈的层次感和画面感。
This essay reviews the contemporary “female essays” and holds the view that Sze’s essay expresses the sense of being in a modern sense in a rational spirit, exposes the life and fate, and depict the spiritual path of the sinner; Her style and expression are highly “modernist” in style. As a representative of “vanguard” consciousness, Ye Meng’s prose has the unique social meaning and cultural value beyond the traditional concept of “female”; in writing, she introduces her poetic skills into prose, focusing on the depiction of images and the appearance of metaphorical meanings. Tang Min’s prose is basically based on the beauty of nature, the daily taste and the interest of teenagers. It is a typical “girl’s” literature full of women’s sharpness and personalization and emotionalization. In her writing, Fresh and full of Zen, showing a strong sense of hierarchy and picture.