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中国的寓言,历史悠久,源远流长,它起源于殷商,萌发于春秋,形成于战国。与印度寓言、古希腊寓言并称为世界寓言文学的三大源流。中国古代寓言,在寓言文学史上出现了先秦寓言、明代寓言等一个个高峰,涌现出一大批震烁古今的寓言作家,而其中在众多寓言家中无疑庄子是这一文学创作形式的领航人。在他的故事中出现一群真真假假形形色色的神人鬼怪、历史人物,这些都是庄子大胆展现寓言的舞台,充满奇诡的情节,为先秦寓言开拓一片开阔的天地,更直接促进了后世浪漫主义文学的发展。试从《庄子》一书中寓言的构成、寓言的文学性及其影响全面解读庄子的寓言。
The Chinese allegory has a long history and a long history. It originated from the Shang Dynasty and emerged in the Spring and Autumn Period in the Warring States Period. And the Indian allegory, the ancient Greek allegory and called the world’s three sources of fable literature. In ancient Chinese fables, there appeared a fable of Pre-Qin and a fable of Ming Dynasty in the history of allegory literature. A large number of ancient and modern fable writers emerged in the history of fable literature. Among them, Zhuangzi undoubtedly belonged to this pilot of literary creation. In his story, a group of gods, ghosts and historical figures of all true and false appearances appear. These are the stage where Zhuangzi boldly displays the allegory and are full of weird plots to open up an open world for the pre-Qin fables and directly promote the later generations The Development of Romantic Literature. From the composition of allegory in Zhuangzi, the literary nature of allegory and its influence, a comprehensive interpretation of Zhuangzi ’s allegory.