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在石青的作品中常常充满了理性的思辨,而这又绝非是“为了思辨而思辨”的智力游戏;对于当下各种社会问题的广泛关注使得他的这些思考有的放矢地展现出来。他试图通过作品发现和认识当代生活的性质和意义,建立一种新的观看和理解世界的方式;建筑与建筑理论常常成为他创作的切入点,并以此来探讨艺术体制与系统的种种问题。a+a:能谈谈你作品中与建筑有关的作品么?石青:从形态上作品与建筑关系比较密切的有《半途而废》、《植物共和国》和《有什么要求,就有什么艺术》,这三个作品看上去都借用了建筑的形式,但针对的问题都是不同的。
His works are often filled with rational speculation, which is by no means “a mental game for speculation and speculation.” His wide-ranging attention to various contemporary social issues has given him a direct view of these reflections. He tries to discover and understand the nature and meaning of contemporary life through his works, and to create a new way of watching and understanding the world. Architecture and architecture theory often become the starting point for his creation and explore the problems in the art system and system . a + a: Can you talk about works related to architecture in your work? Shi Qing: From the morphological works and architecture are closely related to “give up”, “Botanical Republic” and "What are the requirements, what art? All three works appear to have borrowed the form of architecture, but the problems addressed are different.