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革命与爱情的双重变奏 ,是中国当代电影的一个基本主题。这一主题在不同社会文化语境下的不同呈现 ,是主流意识形态、导演创作观念与观众接受心理“共谋”的产物
The double variation of revolution and love is one of the basic themes of contemporary Chinese movies. This theme in different socio-cultural context of the different present, is the mainstream ideology, director of creative ideas and the audience to accept psychological “complicity” product