随着数字化媒体的飞速发展,VR技术融入多种领域似乎已经成为一种必然。它在表述真实性方面的优势尤为见长,将其应用在纪录片领域就会产生出全新的VR叙事方式和视听语言。在叙事方面,传统叙事的真实性在VR影像记录领域还是被尊重的甚至是被强化的,原来由线性二维语言主导的叙事模式转变成了具有三维虚拟空间的叙事形式。在VR纪录片中,观看者的视角等同于参与者,从“第三方”视角转变为“第一人称”视角。在真实性再现方面,VR技术将传统纪录片的画幅广度和深度进行了延伸,画面中的世界变为360度无死角的空间。而交互技术的加入,则给纪录片带来了新的信息传递方式,由被动接受变为主动探索。VR纪录片的故事结局也将不再是以往单一的、导演安排的故事结果,而是有多种可能,并由观看者自己参与决定。VR技术的产生和应用无疑推动了纪录片的创作,但我们也应客观全面地看待新技术的意义与价值,正确理解作品创作中内容与表现形式的辩证关系。 With the rapid development of digital media, VR technology seems to have become a necessity in many fields. It is particularly acclaimed for its authenticity, and its use in the field of documentary has led to a whole new VR narrative and audio-visual language. In terms of narration, the authenticity of the traditional narrative is still respected or even strengthened in the field of VR image recording. The narrative mode originally dominated by the linear two-dimensional language has been transformed into a narrative form with three-dimensional virtual space. In the VR documentary, the viewer’s perspective is equivalent to that of the participant, changing from “third party” perspective to “first person” perspective. In terms of authenticity, VR technology extends the breadth and depth of traditional documentary films, turning the world in the picture into a 360-degree dead space. The addition of interactive technology brings a new way of delivering information to documentaries, from passive acceptance to active exploration. The outcome of the VR documentary story will no longer be a single, the director of the story arranged by the results, but there are many possibilities, by the viewer himself to participate in the decision. The emergence and application of VR technology undoubtedly promoted the creation of documentary films. However, we should also view objectively and comprehensively the significance and value of new technologies and correctly understand the dialectical relationship between the content and the forms of expression in the creation of works.