现代汉语诗歌已经口语化,进入了日常的交流,因此,作为中国当代诗人们,他们拥有的现实经验、观察视角、日常呼吸以及挣扎感,应保持与生活平齐的目光。与此同时,也要让语词获得时间的光晕,从而使诗歌获得诗意。柳宗宣的诗歌在现实经验的边缘游弋,并不脱离,但也并不与现实经验妥协,因为那是来自亡灵的目光。这个更为内在的亡灵的目光打开了语词的温度与深度。 Modern Chinese poetry has become colloquial and has entered into everyday communication. Therefore, as Chinese contemporary poets, they have the same level of real life experience, observation perspective, daily breathing and struggles as they feel. At the same time, it is also necessary to let the words get the halo of time, so that poetry is poetic. Liu Zongxuan’s poetry cruising along the edge of realistic experience is not divorced, but it does not compromise with realistic experience because it is from the eyes of souls. The eyes of this more inner being open the temperature and depth of words.