莫里哀的喜剧《恨世者》中塑造了一个愤世嫉俗的阿尔赛斯特,他憎恨所有虚伪之人,追求表里如一,而最终这个嘲笑别人的阿尔赛斯特反而成了被嘲笑和被讥讽的对象。透过这个充满矛盾的人物,看到莫里哀戏剧中所体现的真理的不可捉摸,这和蒙田怀疑论的精神互相契合。 Moliere’s comedy “Hater” shaped a cynical Arcelor, he hated all the hypocrisy, the pursuit of conformity, and ultimately this derided Mister Aristost instead has become ridiculed and irony Object Through this contradictory figure, I see the elusive truth of the truth embodied in Maurice’s drama, which is in line with the spirit of Montaigne’s skepticism.