福斯特的代表作《印度之行》探讨了不同种族之间、不同文化之间、不同性别之间,甚至人的自我和本我之间的分歧与隔膜。虽然种族与文化之间的冲突是主导全文的重要因素,但性别之间的不平等与隔膜同样阻碍了人类的“和谐”。本文通过女性主义文体学视角,分析小说中女性人物刻画中的“分裂化”手法,揭示文学文本中隐含的意识形态里的性别歧视。 Foster’s masterpiece “Trip to India” explores the differences and differences between different races, different cultures, different genders, and even human self and self. Although the conflict between races and cultures is an important factor that dominates the full text, gender inequality and sequel also hinder the “harmony” of mankind. Through the perspective of feminist stylistics, this paper analyzes the “split ” approach in the portrayal of female characters in the novel to reveal the gender discrimination in ideology implied in literary texts.