鉴赏能使作品的意境得以延续和发展,反之又可丰富和提高鉴赏的感悟能力。因此可以这么说:没有鉴赏,何言创作?鉴此,本文就树桩盆景鉴赏创作中的一些现象,谈几点看法。现象之一:“一寸枝条长数载,佳景方成历十秋”。由此可见盆景创作之艰辛。然而,在这漫长的创作过程中,即使是立意在先、胸有成竹的高手亦难以一步到位,“返工”是难免的,连日本盆景巨匠木村正彦也不例外,不然他的一件上好的真柏,1984年树高80cm,何以至1994年树高反而降至68cm呢?鉴赏与创作相互递进,相辅相成,相得益彰。事实上,不存在没有鉴赏的创作,更不存在没有创作实践的鉴赏,只是鉴赏感悟能力的高低程度不同,鉴别赏 Appreciation can make the artistic conception of the work be extended and developed, on the contrary, it can enrich and improve the appreciation ability of appreciation. So to speak: no appreciation, what language to create? In view of this, this article on the stump bonsai appreciation of some of the phenomena in the creation, to talk about a few observations. One of the phenomena: “One inch long branches of branches, Jia Jing Fang calendar into ten autumn ”. This shows the hardships of bonsai creation. However, in this long process of creation, even if it is the intention of the first, well-known expert is also difficult to place in one step, “rework ” is unavoidable, even the Japanese bonsai Masaki Kimura is no exception, or he’s a good Of the true cypress, the tree height of 80cm in 1984, why the tree height instead dropped to 68cm in 1994? Appreciation and creation progress each other, complement each other, complement each other. In fact, there is no creation without appreciation, but there is no appreciation without creative practice, but the level of appreciation of the different levels of awareness, identification tours