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早期巴特认为,现代性的写作不是作者自主性的创造活动,而是能指宣告为王的加冕过程。事实上,能指的“欢快”原则是一种空无,是没有目的的目的,是没有灵魂的灵魂。巴特致力于符号的意指结构模型分析,并从历史、实践、符号形塑结构的角度揭示了意识形态的统治性、幻想性和控制性,揭示了文学和意识形态的共谋关系,因而具有深刻的理论意义与现实意义。
Early Bart argues that the writing of the modernity is not the author’s creative activity, but rather the process of coronation proclaiming king. In fact, the “happy” principle that can be referred to is a kind of emptiness, a purpose without purpose and a soul without soul. Bart is devoted to the analysis of the symbolic structure of meaning and reveals the domination, illusion and control of ideology from the angles of history, practice and symbolic structure, reveals the collusion between literature and ideology, Profound theoretical and practical significance.