论文部分内容阅读
《贞寿堂图卷》创作于明宪宗成化二十二年(1486),当时唐寅只有17岁。从图卷看,画面采用一河两岸式布局、人物运用白描手法,山石皴法近黄公望与王蒙的披麻皴、乱柴皴。画面幽静、娴雅,具有元画的旨趣和韵味。与唐寅初从周臣学画,渊源自“南宋院体”的认知不同。因此,是卷对考察唐寅绘画的艺术渊源、笔墨特征等具有重要的意义。本文试图探讨《贞寿堂图卷》的创作背景、贞寿堂主人以及吴一鹏题跋等问
Zhenzhuotang map volume was created in Ming Xianzong Chenghua twenty-two years (1486), when Tang Yin was only 17 years old. From the chart volume, the screen uses a river layout, the characters use the white drawing practices, the law of the mountain near Huang Gongwang and Wang Meng Phi Ma, chaos Chai. Quiet picture, elegant, with metaphorical purposes and charm. It was different from the cognition of Zhou Chenxue from Zhou Chen and his origins in the “Academy of Southern Song Dynasty”. Therefore, the volume is of great significance for examining the artistic origin of Tang Yin’s paintings, the characteristics of ink and wash. This article attempts to discuss the creative background of Zhenzhuotang Tutu, Qingshoungtang Master and Wu Yipeng’s inscription