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长短句歌词的形式之美,是根据“奇偶相生、轻重相权”的八字法则加以错综变化而构成的。它一方面依照每一曲调的抑扬抗坠的音节,参之以曲中所表感情的起伏动荡而给以妥善的安排;一方面吸收《诗经》《楚辞》以至汉魏六朝乐府诗和唐代各大诗家所创古、近体诗的特殊音节而予以“各适物宜”的调剂;这样取得音乐与语言的密切结合,经过无数诗人与民间艺人的不断实践,使得每一词牌的句式和韵位,都有了它的定型。
The beauty of the form of long and short lyrics is based on the intricacies of the eight-character principle of “parity, weight, weight”. On the one hand, in accordance with each tone of the anti-pop ups and downs of syllables, in order to refer to the ups and downs of the emotional fluctuations in the song to give proper arrangements; on the one hand to absorb the “Book of Songs” and “Songs of the South” On behalf of the major poets created by the ancient, close to the special syllables and poems to be “all appropriate appropriate” swap; so get music and language in close connection, after numerous poets and folk artists continue to practice, making each of the Sentences and rhyme, have its shape.