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任何一个戏曲艺术都源于生活,经过长时间的历史积淀后,成为一种艺术形式而被广为传唱。因此无论多么高雅、脱俗的艺术形式其中必然隐含着原始的民间本色。群体的制作形式,口耳相传的传播形式,明显的区域性特点,都突出的反应力当时当地民众集中的审美意识,并将其以一种集体无意识的形式传播至今,成为当地人们生活中不可或缺的艺术。江西广昌孟戏就是其中的代表,其通过舞台表演、唱腔特点、乐器使用等展现出一幅历史画卷与生命气息。本文试通过广昌孟戏来探究戏曲艺术的民间性本色,来寻找艺术能够生生不息的本源。
Any one art of opera comes from life, after a long period of historical accumulation, become a form of art has been widely sung. So no matter how elegant, refined forms of art which inevitably implies the original folk qualities. The form of group production, the spread of word of mouth, obvious regional characteristics, are prominent reactionary local aesthetic concentration of the local people at that time, and in a form of collective unconscious spread so far, as the local people’s lives can not Or lack of art. Jiangxi Guangchang Meng opera is one of the representatives, through stage performances, singing characteristics, the use of musical instruments, etc. to show a historical picture and life breath. This article tries to explore the folk character of opera art through Guangchang Mengxiu to find the source of endless art.