追寻一名作曲家的生平事迹,进而熟悉他的音乐,从中选择演出曲目,总是令我神往。尤其是当这位作曲家的作品在现世难得上演,或是根本不演的情况下,重现过程更是激动人心。 如今,我们演出的音乐,只是前人作品,特别是十七世纪及十八世纪曲目中的一部分。那个时代,尚无“经典曲目”的概念,各地歌剧院竞相推出新作,并以此为荣。而作曲、演唱方式和听众口味的不断进化,使得年轻作曲 Pursuing a composer’s life story, then getting acquainted with his music, choosing a performance track from it always fascinates me. Especially when the composer’s work is rare in the world, or not at all, the process of reproduction is even more exciting. Nowadays, the music we perform is only a part of our predecessors’ works, especially those of the seventeenth and eighteenth centuries. That era, there is no concept of “classic track”, the Opera House around the introduction of new competing products, and to be proud of. The composer, singing style and the continuous evolution of the audience taste, making young composer